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Balamut693

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#1,942
Born To Raise Hell - Vol. 1 - (1974 Year)


Born to Raise Hell is the standard that all gay S/M films are judge by around the world. The cast is introduced not by the conventional credit lines, but by their names tattooed on various parts of their bodies. The S/M is authentic, whipping, pissing, beating, shaving, bondage, groveling, red asses, the men are very masculine, very real. Yes, there are hard-ons, but as S/M devotes will attest, it's the scene not the sex that counts. Filmed in 1974 Sidney Charles of Drummer magazine wrote "What can you say about a movie that's so hot it needs to be handled with asbestos gloves". and "Born to Raise Hell is the movie to see with someone you love to beat, or be beaten by." Legendary filmmaker Fred Halsted said, "The best S/M film I've ever seen". Born to Raise Hell is in the New York's Museum of Modern Arts film collection. Roger Earl discovered and cast Val Martin in the lead in this incredible S/M film. Born to Raise Hell brought Val Martin international prominence in gay leather communities around the world.

Format: Windows Media
Duration: 25:44
Video: 640x480, Windows Media Video 9, 1562kbps
Audio: 125kbps




File size: 323.4 MB


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Born To Raise Hell - Vol. 3 - (1974 Year)


There is a difference between a warm and moist masturbatory fantasy of these events and reality, the movie seems to be implying, but that difference is blurred in the last scene, which turns out to be dream. "Born in Hell" would perhaps be a more appropriate title, given Val Martin's darkly bearded Luciferian features (especially the prominent nose and sneering mouth in close-ups). After viewing the flick and giving myself time to recover from the sensory overload, I finally was able to digest the action by dividing it into three parts. Part One is essentially two scenes occurring simultaneously in a leather bar; Part Two a swift, montage-like succession of dungeon scenes; Part Three turns out be a dream fantasy involving police . Practically every form of S/M play occurs in these scenes with little warm-up in playing or sexual interaction. Val Martin is on a rampage, dominating John Detour who looks like Brawny paper towel model. Another top strings up a blonde twinkie boy Steve Richards, but that scene seems more supplementary to Val's playfest. He both strings him up and ties him to a table in a leather bar and subjects him to a multitude of cock and ball contortions, at one point pulling the undistinguished cock by a chain to the table and tying a boot to the hairy, dense balls.

Format: Windows Media
Duration: 26:51
Video: 640x480, Windows Media Video 9, 1562kbps
Audio: 125kbps




File size: 333.0 MB


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#1,946
Pictures From The Black Dance - Vol. 1 - (1988 Year)


Pictures From The Black Dance is the first film from the classic Dungeons of Europe Trilogy that was shot in 1988, fourteen years after director Roger Earl made Born To Raise Hell. Earl and his producer Terry LeGrand shot Black Dance in London's most notorious underground leather dungeon. Earl was taking a huge risk at the time he shot this film for the English laws on S/M was the most restrictive in Europe.

Format: Windows Media
Duration: 23:53
Video: 640x480, Windows Media Video 9, 1562kbps
Audio: 125kbps




File size: 290.3 MB


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Pictures From The Black Dance - Vol. 2 - (1988 Year)


All in all, Pictures from the Black Dance offers the viewer, at times inconsistently, a kind of ut pictura poesis of BDSM and leathersex. Rather than, as defined by the Roman poet Horace, a poem resembling a painting that teaches and delights the viewer, this film is kind of a canvas which resembles both a poem and a dance through its complex uses of imagery and movement.

Format: Windows Media
Duration: 23:22
Video: 640x480, Windows Media Video 9, 1562kbps
Audio: 125kbps




File size: 288.5 MB


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Pictures From The Black Dance - Vol. 3 - (1988 Year)


The viewer can of course enjoy the film as hot leathersex; I would argue it can also teach the viewer not only about some of the specific activities of gay BDSM participants, but about some of the fundamental power dynamics of the human condition. According to the famous Fledermaus, aka Tony deBlase, "the action is much closer to Born to Raise Hell than to Chain Reactions, and is still all safe sex! . Like Born to Raise Hell, this trilogy will be one of the major contributions to the erotic media for SM men."

Format: Windows Media
Duration: 23:35
Video: 640x480, Windows Media Video 9, 1562kbps
Audio: 125kbps




File size: 291.0 MB


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#1,952
Monday - Vol. 1 - (1970 Year)


A young man loses himself in a bewildering maze of leather, fisting, toilet play, and bondage in 10:30 P.M., one of the earliest and most influential experimental gay porn films. The story is non-linear and there is no dialogue; scenes cut abruptly, characters appear and disappear, locales change without warning. Some sets are dark and shadowed, others are stark white.

Format: Windows Media
Duration: 13:58
Video: 640x480, Windows Media Video 9, 1562kbps
Audio: 125kbps




File size: 176.3 MB


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Bound for Europe - The Berlin Connection


By the end, Bremer is jelly in Franky Boy's hands, especially when he's on all fours taking that boot stomping on him. Bremer is really in some pain, especially when Franky Boy wields the handle of that flogger, yes, the handle! At one point, due to the dim lighting, I couldn't tell if the top pissed on Bremer; whatever the case, by the end of the scene, the power exchange was flowing toward a climax of boot-grabbing abasement. And now scene three: a marathon; just when you think the total painpig Ralf Rabe is finished, the lean, mean, sadistic Niels Nielsen (evidently a BDSM top of some notoriety in Europe during this period) devises yet another punishment. During most of the scene, Rabe's hands are chained to the back of his neck, which allows Nielsen free rein to work his tits and cock and balls. But first, to really set the scene for the cruel abasement, Nielsen shaves Rabe's head. The bootplay is even more intense in this scene; at one point Rabe is on the ground, ground (repetition intentional) beneath that heavy boot.

Format: mp4
Duration: 40:10
Video: 640x480, AVC (H.264), 707kbps
Audio: 249kbps




File size: 282.6 MB


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Winters Tale - Vol. 1 - (1984 Year)


What begins as a humorously detached winter excursion into the Bijou Theatre as it looked in the early 80s (note the triple XX somewhat cheesy Valley of the Dolls looking advertising signage, ah, those were the days) ends up being an ascent up a spiral staircase into Tartarus that includes a brutally exciting fisting scene which climaxes in bare feet, yes bare feet, inserted into bottomless maws. The overall transition in the film between the various components is abrupt and disconnected, and the fisting scenes sometimes end up as vague murky dark images, but the setting is historically interesting and may evoke nostalgia in some viewers. A clever beginning, with footage of winter driving (and a radio discussing Gary Hart, remember him?) and a member of the Skulls (Donut)'s voiceover making some comments about the improvements to the Bijou, once a "sleezy little pit." He seems upset that the "cockroach in the cage" is charging him eight dollars. (The price went up!) Only after he enters the play area, ascending the spiral staircase, does he lose his sarcastic attitude and become both excited and apprehensive. The Skulls are there, he says, and he is sure "something spectacular" will happen.

Format: Windows Media
Duration: 15:34
Video: 640x480, Windows Media Video 9, 1562kbps
Audio: 125kbps




File size: 193.6 MB


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The Berlin Connection - (1995 Year)


The installment of the Bound for Europe series I found strangely uneven; I would have been content with only the third scene, a marathon BDSM scene that keeps on going and going and going . Not that the first and second scenes don't possess merits, but I found them rather slow in maintaining the intensity of the interaction between the players. J.P. Is the top in the first scene, a "daddyish" type a little soft around the paunch, but fetching in his chaps and jacket. His bottom is Sebastian, a lean, tall, rather doltish looking type. He looks like he is already "in the zone," so I gather maybe these two had been playing in the dungeon some time before the scene started. The scene begins some cocksucking and spanking, the top switches to a flogger at one point, but the overall rhythm doesn't really pick up until the top places his boot on the bottom's neck. I noticed more cock action in this scene as compared to some of the others in this series, but not for its own sake. When the top begins finger fucking the bottom's tight ass and plunges a dildo in it, it's was too late for me to really get into the vibe. I applaud Jack Fritscher's camera work here: close ups of boots and the sweat that begins to develop on both players are really effective in and of themselves. Scene two features Franky Boy as the top and Rienk Bremer as the bottom; it takes place in and about a spider web, which proves useful for various bondage positions. Bremer is a little hottie, I must admit: lean and tight body, high rounded ass. The scene is much more intense; highlights include heavy tit play, cbt using the handle of flogger over Bremer's tight leather pants. Once Franky Boy gets him up on that spider web, turning him front and back, the bondage gets rough......

Format: mp4
Duration: 40:10
Video: 640x480, AVC (H.264), 707kbps
Audio: 249kbps




File size: 282.6 MB


Download The Berlin Connection - (1995 Year)
 
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The Water Boys

Studio: Sting Pictures

The Deputy Head of Barminster College was in the habit of keeping a Diary. Since his new appointment to this prestigious college he has noted many of the student goings on amp; Some events were of a serious nature and the miscreants involved dealt with severely by the headmaster or if he was too busy by his youthful head of PE Mr John (Dexter).
One such pupil Chris Brookes (Louie) was forever in trouble. The diary entries on Brookes read like a charge sheet but among the many entries were several that caused some amusement. Hugh Curtis MA, the Headmaster, was not without humour but like all tolerant men could be pushed too far. Brookes was not the only lad who had recently come under the spotlight he was ably assisted by two fourth formers Stephen Grant (Martin) and Sebastian Collins (Sebastian) If ever there was a fourth form mafia these two certainly qualified as the Dons.
Despite the punishments laid on for their erratic behaviour, detention, spanking, the cane or the strap a little pocket money in their direction would fix anything but this time in collaboration with Brooks they were set to gain an new title. The deputy heads diary had logged some extraordinary events but one would be forever remembered by both the pupils and staff gaining a legendary new nick name for young Grant and Collins, which in fact was going to cost them dear!.The Water Boys

Format: Windows Media
Duration: 49:06
Video: 1024x576, Windows Media Video 9, 915kbps
Audio: 125kbps




File size: 377.2 MB


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